• ghosting mother

    Bernard Mescherowsky Germany, English, 00:16:00

    In ghosting mother, personal mourning rituals and processes of scanning and development intertwine to create a search for traces in the manifestations of memory. Starting from the destroyed grave of my mother, a search begins for the remaining apparitions. A mourning ceremony, a movement of remembrance, attempts at resuscitation. ghosting mother works with methods of autofiction and deals with questions of grief and its ritualization in bourgeois catholic contexts in an experimental documentary form. The self-developed 16 mm film reflects in its own materiality and its damage the failed attempt to record what has been lost.

  • FISH MOON

    Andrey Koulev Bulgaria, Chinese, 00:12:30

    A film based on poems by the Chinese poet Li Bai.

  • Subharmonics

    Marcell Mostoha Denmark, Hungary, No Dialogue, 00:04:59

    Exploration in the unconscious where everything is connected, nothing is determined and the emphasis is on the ever-changing. In a naturally altered state of consciousness, the boundaries of time and space dissolve. Sounds become visible, forms audible. Deeper focus offers more: connections of tones and undertones linked to visible forms and their mirrored reflections – periodically interacting with each other.

  • ToWer

    SIQI WEI Japan, English, Japanese, 00:05:14

    This work takes as its central theme the problematic phenomenon of binge-eating livestreams in contemporary internet culture, and represents it through the metaphor of a towering structure rising from the desert—an allegory of exploitative internet corporations. The protagonist, a man suffering from prolonged poverty and unemployment, is portrayed as perpetually hungry, while the bird accompanying him functions as a projection of his inner self. In the early stages of the narrative, the man, though emaciated, devotes himself to nurturing the bird with genuine affection. However, once targeted by a predatory internet company, he begins livestreaming under the guidance of the bird—an embodiment of his subconscious impulses. As his audience grows and revenue increases, his body fails to endure the excessive consumption demanded by the broadcasts. The bird offers him a tube for vomiting, symbolizing both physical survival and psychological degradation. The man continues to vomit and eat in pursuit of profit, gradually losing control and descending into madness under the domination of monetary desire. It even felt like experiencing hallucinations similar to having taken marijuana. Eventually, the bird dies, signifying the extinction of the man’s last remnant of rationality. With rising income came elevated consumption standards and escalating demands from the company, yet he remains convinced of his ability to “earn again.” In the final scene, he sacrifices the bird to open the last door, only to discover an empty room, with the key to escape hanging from the ceiling. The sole being capable of retrieving it—the bird—has already been killed by his own hands. Confronting the bird’s corpse, he realizes that his health, livelihood, and existence itself have all been exploited and exhausted by the corporate machinery. After his disappearance, the corporation remains unchanged, continuing its cycle of deception and exploitation by ensnaring the next greedy victim. Through this narrative, the work critiques the distorted values of contemporary online society, issues a warning against the excessive consumption of one’s own body in the pursuit of desire, and exposes the relentless exploitative structure of internet corporations.

  • Capriccio

    Gábor Ulrich Hungary, No Dialogue, 00:05:00

    A tiny bird restores the pianist's final hope by revealing the music hidden in everyday moments.

  • Embla

    Katla Sólnes Iceland, Drama, Horror, Fantasy, Thriller, Fable, Icelandic, 00:17:00

    A woman made from wood, Embla, is willed into existence by her maker and lover, Baldur. Their relationship takes a turn when Embla mars her perfection by burning her finger. Carved from wood by the artist Baldur, Embla awakens into a world of passion and wonder, his muse and his lover. But when her curiosity mars her perfection, burning her finger, his adoration cools, replaced by distance and moody withdrawal. Desperate to recapture their once-ferocious bond, Embla seduces him, only to discover his secret: a new prototype, a better version of herself, taking shape in his forbidden woodshed. In a final, fiery confrontation, Embla must face the terror of being discarded, the mythic clash between creator and creation erupting into a fable of desire, control, and resilience.

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